Cue the Artist

Female artists in the music and film industry

Tag: Diana Vickers

Moody Monday : Music Fashion

by kranARI

How about some summer fashion inspiration from your favourite music artists? Well, these are the people that inspire me…

Zooey Deschanel Zooey Deschanel

Florence and the MachineFlorence and the Machine

Gwen Stefani V magazineGwen Stefani

Lily AllenLily Allen

Katy Perry No MagazineKaty Perry


Uh Huh HerUh Huh Her

Kate NashKate Nash

Diana VickersDiana Vickers

A Fine FrenzyA Fine Frenzy

Lady-Gaga, ElleLady Gaga

Kylie MinogueKylie

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Wicked Wednesday : Cuteness Reigns. Top 3 music videos.

by kranARI


Diana Vickersphoto shoot by

Diana Vickers never ceases to amaze me. Once again, as if it wasn’t enough that I was embarrassed to go to her gig, I kept my eyes half open as watched her second music video release for “The boy who murdered love” and lo and behold, she has proven me wrong! I love, love, love it. All you could hear coming out of my mouth as the video progressed was “Wow. Wow, this is actually really good. Well done!” Cute animation touches by the artistic director make Diana’s individual style really shine through. I’m so excited for you to see. For more Diana updates don’t forget to visit her official website and twitter.


Pixie Lottphoto by

As you must know by now I am a closeted pop fan. So maybe my love for corny pop is one of the reasons for putting this video on the list, or maybe it’s just the fact that I think Pixie Lott‘s smile is so damn cute. Is it even normal for a person to smile so damn much in her music videos? The song has an urban pop feel, with a dash of the trademark Pixie dance routine in it and it sort of brings back memories of girl band tunes like Girls Aloud or even worse (or better) Atomic Kitten. Have a look.


Sia Furlerphoto courtesy of

I don’t know if this video is cute but it is most definitely weird (made in typical Sia Furler style). It did make me smile though. I love an artist who can embrace their weirdness and capitalise on it. There is no doubt about it, the girl is unique and vocally gifted, I have loved her voice ever since I heard her song “Breathe me” in 2007. I do hope she finds a way to carry on making music, as she’s recently claimed her anxiety disorder is forcing her to take a break after her tour ends this year. How sad! Who is going to release the quirkiest crafty videos of all time when she’s gone?

[To be taken straight to the Artists’ official website click straight on their name]

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Thursday for Thought : The Diana Gig

by kranARI

Diana Vickers London Scala 2010

This will be for me, a night to remember. I have to be honest with you. I was kind of embarrassed to show up at an 18 year old’s gig who has acquired a good amount of fans and haters within the past year. I went onto her myspace last week and listened to her album. I loved her single “Once” and the single she’s planning on releasing second “The Boy who Murdered Love”. The rest of her songs, however well produced and smartly penned as they were with their collaborations and Diana’s personal input, made me feel slighlty jippped. This album wan’t really supposed to be dance/pop, was it?

Let’s just say I was lucky enough to see her perform live at Nerina Pallot’s gig at Union Chapel a couple of weeks ago, because this girl has something very special indeed. So at this point I felt kind of torn. My adult self felt embarrassed for liking a teen’s music and my indie-loving self felt betrayed she did not follow a similar kind of route she had paved for herself during her stint on the X Factor.

Nerina Pallot, Diana Vickers Union chapel 2010

Early on tonight, things seemed to be working against me. My exhaustion was mounting since last week and my concert buddy was running extremely late. I was almost tempted to crawl into bed at 8pm. Whatever it was that pushed me to go, I leave there now feeling completely different.

Diana Vickers London Scala 2010

For one, I am completely impressed with the appreciation that she has for her fans, her collaborators, her opportunity to work within the industy and the love the fact that she was completely surprised to find out that the place was actually packed with people who come to see her.

Diana Vickers London Scala 2010

There is an element of naivet√© that works for and against her. She seems vibrant, glowing and totally into her music onstage, speaks to her fans as if they were her friends from back home, and makes you feel totally at ease with her banter. On the other hand, it’s almost like watching her be at someone else’s concert – not to say that she’s not entertaining, it’s simply endearing watching her take in and enjoy all the attention directed towards her. This, I find, is extremely rare with performers, as most singers are one sided, and don’t really give you the opportunity to see through them. Ever moment I watched her on stage, I felt I was watching her grow up, evolve and take it all in.

Second, I was impressed with her showmanship. Her quirky dance moves and her trumpet number were present just to show you that she has lots of personality, individuality and charisma.

Diana Vickers London Scala 2010

Her vocals were improved, although I still believe people will either like her or simply hate her stylings. There’s not much you can do about that. The only thing that could have been done to improve upon the volume and quality of her breathy vocals would have been to monitor the sound of the drums better and give her the space she needs to be heard.

Other than that, I left the concert totally surprised, I even managed to forget my bag – which was safely returned to me by the security guard. That is a sign of real audience involvement. A super perk was seeing Nerina Pallot on the staircase on my way in, supporting her little protege, whom she wrote a song for (“Put it Back Together) in this freshman album. I can’t wait to see her evolve into a confident, more individual type of artist and see what fresh things she has to bring to the stage in the future.

Diana Vickers London Scala 2010

Diana Vickers London Scala 2010

ALL photos by © shmuttie & kranARI

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